Showing posts with label Angry Robot Books. Show all posts
Showing posts with label Angry Robot Books. Show all posts

Friday, May 10, 2013

Author Interview: Wesley Chu

Novel: The Lives of Tao

Website: www.chuforthougth.com

> What is The Lives of Tao about? 
Here’s the 140 character tweet version.
Loser meets snarky alien. Gets in shape. Fights war over control of humanity’s evolution. Finds a girlfriend. Not in order of importance.

> What drew you to writing about alien brain hitchhikers? 

I've always been fascinated with history not so much for what happened, but why things happened. I didn't want to rewrite it. History is fascinating enough as it is, but I wanted to explore the logic behind it. How did we get to where we’re at today? What were these famous historical figures thinking?

My original idea was to explore and retell that why, and tie it in with the present. Basically, is it murder or manslaughter, because that matters. Now, let's toss in a few more variables. Add an alien civil war, toss in a lazy loser who hates his life, and let the fun begin.

> What made you want to be a writer when you already know kung-fu and moonlight as an actor? 

I often say a writer can’t help but write. My first short story was in second grade when I wrote about the planets in the solar system always running into each other and getting into fist fights. My English professor Father read it and was like “this doesn't suck.” And if a traditional Asian parent tells you that, it must be pretty decent.

I've always had interests in many different hobbies, but writing was the one thing I always came back to. At the end of the day, when I had to choose what I wanted to do with my life, writing won out. Getting a little older of course helps in the decision making process. I’m not as limber as I used to be, you know.

> The protagonist of The Lives of Tao, Roen Tan, shares your Information Technology day job. Do you have anything else in common?

We’re both terribly insecure, love pizza, and hear voices in our head. Oh, and we’re both Kung Fu masters and we both tried to mug someone who was trying to mug us.

> If you could, would you change places with any of your characters?

Good question. That’s a tough one. On one hand, it would be awesome to have this eternally wise alien who once invented Tai Chi and inhabited great historical figures doling out free advice. On the other hand, getting caught in an alien civil war and hunted by an international cabal sounds like it would suck. And I heard the job doesn't pay well either.

In the end though, I probably wouldn't do it. After all, as an author, I already have the best job in the world. Besides, I have a very low pain threshold.

> When and where do you write?

I used to do the whole cafĂ© circuit around Chicago, but it kind of became a waste of time. These days, I write at home. There’s something to be said about having a set place and time every day that gets someone in the right frame of mind to write. I also get to write in my bathrobe.
  
> What’s the best/worst thing about writing? 

The best thing about writing is creating that story. It’s the most difficult and most rewarding thing I've ever done. The downside is these books are our babies. I lived, ate, and dreamt The Lives of Tao for years, and I’m just so ready to release it to the world. It’s like the world’s longest pregnancy.

> What is something you didn’t know about the publishing industry before you had your first book published?

The author needs to do a lot of marketing. You don’t just write a book and let the publisher do the rest. In the age of social networking, it’s up to the author to engage and grow his fan base. It’s a lot of work, and can be a massive time sink that could be spent writing instead.

However, there’s also this direct connection with the reader that an author makes that is very rewarding as well. Guess while we’re at it, please look me up at:

Twitter: wes_chu

Facebook: facebook.com/wesleychuauthor

Website: www.chuforthougth.com

> Do you have any advice for hopeful authors?

Write for yourself, not for the money or fame. The odds are slim you’ll get much of either. It’s a long road filled with potholes and road kill. Keep at it. Don’t ever show anyone your first draft. Keep reading books as you write. Don’t lose touch with your friends.

And get a dog or cat. Trust me on that last one. Eva Da Terrordale dragging me out for walks was the only thing that got my increasingly pasty white arse to see the sun once in a while.

> Any tips against writers block? 

Keep writing. Write crap. Hate your words, but keep at it. It’s the only way you’ll bust out of the writers block. If you can’t think of anything to write, pretend you don’t have a backspace key and just plug away. Write about your day, your lunch, about how much your hamster Harold means to you. Just get something down and worry about sorting things out later.

And then have a scotch; neat. Then maybe an ice cream; just not at the same time. It doesn't taste good together. I’ve tried. You’ll feel better afterward.

> How do you discipline yourself to write?

You also have to treat writing as a priority. Give it the same respect and passion you would for anything else you’re serious about. It shouldn’t be something you do at the end of the day if you have time. Writing should be something you feel guilty for not doing.

Be hard on yourself. Go to war with it. Conquer it. Always remember have a beer with it at the end of the day. Then do it all over again tomorrow

> What's the first novel (published or unpublished) that you wrote and how long did it take to write it? How many rejection letters did you get for it?

The first book I ever wrote was a 190k monstrosity called Woes, Toads, and Crossroads. How many rejections do you think I got? =) It took a year to write the rough draft and was pretty much a hot mess.

I will say this. It was probably the most important thing I’ve ever written. The lessons I learned from it were invaluable for my writing career.

Friday, February 8, 2013

Author Interview: Lee Collins

Novels:
The Dead of Winter
She Returns From War

Short Stories:
"The Dome" – Ensorcelled (May 2009)
"Purity" – Morpheus Tales (October 2009)


> What is The Dead of Winterabout? 

Both The Dead of Winter and She Returns From War follow the exploits of Cora Oglesby, a bounty hunter who roams the Old West in search of supernatural bounties. The Dead of Winter tells how a seemingly ordinary job for Cora and her husband Ben descends into a nightmare, forcing her to question the truth about her past. She Returns From War picks up four years afterward, when a young British aristocrat seeking to enlist Cora's help in avenging the death of her parents draws them both into the path of a Navajo witch.

> Fantasy set in the American west is becoming more popular.  What drew you to writing about that period?

It grew out of a short story submission. Morpheus Tales announced a Western-themed horror special issue a few years ago, and I really liked the idea. I wrote a story about Cora's initial incarnation hunting down some necromancers, and the character stuck with me long after I'd finished. When I started researching more about the time period in preparation for a full-length novel, I realized how much potential the Old West has as a setting for fantasy themes.

 > What do you call this new sub-genre, western fantasy, weird west, or something different?

The term I've heard most often is Weird West. It encompasses all speculative fiction set in the Old West, including science fiction and steampunk stories along with fantasy. In terms of my books, I'll use both Weird West and historical fantasy interchangeably.

> What made you want to be a writer?

I didn't really decide I liked writing until well into high school. My brother made a comment about how good I was with words when I was trolling a message board he posted on, and the idea started to grow on me. While in college, I read Stephen King's Dark Towerseries and decided that making up worlds sounded like a pretty neat thing to do with my time. I switched my major to English (which, in hindsight, was probably a mistake given the lack of day-job demand for such degrees) and started on my way.

> If you could, would you change places with any of your characters?

Probably not. While I enjoy reading and writing about the Old West, I don't think I'm cut out for that kind of thing myself. I prefer to avoid the threats to one's person that come with a lifestyle of killing monsters, jailing drunken miners, or being among the British aristocracy.

> How long did it take you to turn your National Novel Writing Month submission of The Dead of Winter into a publishable novel?

A good six months, at least. I went through two or three drafts before I felt it was ready to submit to agents, and it turned out I still wasn't done. One agent provided some very helpful revision suggestions after he saw the manuscript. Although he ended up passing on it, a lot of his suggestions went into the draft (the fourth one if I'm counting correctly) that the Angry Robot editors saw.

> When and where do you write?

If possible, I try to sneak in some writing at my day job. As you might expect, any progress made that way is rather slow, so the majority of my writing happens in the evenings. Both of my books were largely written on the floor or couch of my living room while watching my girlfriend play video games.

> What’s the best/worst thing about writing?

The best thing is easily the absolute freedom it gives you with the story and characters. Nothing happens unless you want it to happen, anything can happen if you want it badly enough to make the world you're creating accommodate it, and everything ever written is on the shelf for you to mix and match until you get something you're satisfied with. The one thing I've found that truly limits this freedom is the worst thing about writing: deadlines. I didn't realize this until I was writing under contract for She Returns From War, but deadlines frighten me considerably. If I didn't already have a solid synopsis of the story, I don't know what my editors would have ended up with. I can work under pressure if I need to, but I'll hate every minute of it.

> What is something you didn’t know about the publishing industry before you had your first book published?

How very social it is. I was under the impression, probably from my undergraduate studies, that writers lived their lives in seclusion. Perhaps that was true in previous centuries, but today's writer is expected to be half creative master, half entrepreneur. Not only are active social media presences expected of today's authors, but there are more conventions and events than one can possibly attend in a year.

> Do you have any advice for hopeful authors?

Build yourself a collective of other writers whose opinions you respect and trust. Avoid echo chambers and soul jackals if possible, finding instead a middle ground of people who will be both honest and encouraging. Not only will they improve the quality of your manuscripts, but they are invaluable as sounding boards for new ideas and new approaches.

> Any tips against writers block?

Know where you want to go. I had a very clear synopsis of each book in my mind before I ever started writing, and as a result, I didn't find myself roadblocked that often. When I did hit a snag, I would go back to the synopsis and figure out how to bridge where I was with where I wanted to story to go. Usually, that involved sketching out the next few scenes before I went back to writing the actual prose. Even if it isn't the most graceful solution, write it just to keep yourself going. You can always revise.

> How do you discipline yourself to write?

I'm not very disciplined by most standards, actually. I certainly don't write every day, mostly because I tend to be very skeptical of my own ideas. Until I've bounced a plot line or character around in my head for some time without it caving in under the pressure, I won't dignify it with any words on a page. Once I do have an idea I feel can hold itself up, however, I'll usually write it in a frenzy. The first drafts of both The Dead of Winter and She Returns From War only took me about two months to write.


> How many rejection letters did you get for your first novel or story?

The Dead of Winter received about a dozen rejections before it was picked up by Angry Robot Books. This doesn't sound like very many, and it's probably below average, but I didn't take the shotgun approach to querying agents, either. Most agents list the genres they represent somewhere on the Internet, and I didn't find too many that outright said "Weird West." Thus, I was more cautious in making my query list, as I didn't want to waste an agent's time if I figured they wasn't any way they would consider representing this lesser-known genre.

Tuesday, December 11, 2012

Book Review: Merchant of Dreams by Anne Lyle


Pros: fully realized Renaissance world with great attention to detail, lots of intrigue, learn more about Skrayling magic

Cons: several characters started to grate on my nerves, making decisions that irked me; first third of the novel is spent on ships, with little happening plot-wise; towards the end of the book several aims are suddenly - and suspiciously easily - achieved 

Mal and Coby, now living in France, discover the Skraylings are courting trade alliances with Venice, a venture that, if successful, could undermine the current arrangement with England.  They pick-up Sandy on their way to England to inform Walsingham of their news.  Mal is sent to Venice to discover the state of negotiations and takes Ned Faulkner with him.  Meanwhile Coby is tasked with keeping Sandy out of trouble in London.  Needless to say, she fails.

There's a lot of intrigue and a great sense of adventure in this sequel to The Alchemist of Souls.  There are several sea voyages, an attack by monsters, torture and the reunion of Mal and Sandy with their older brother, Charles.  

Where Lyle excells is with the amount of accurate historical detail she peppers the book with.  She's careful about using period expressions and terminology, making the book feel authentic.

We also learn more about Skrayling magic in this book.  Mal is tutored in dreamwalking, and starts to accept that part of himself.  Meanwhile, despite having two personalities, Sandy's Skrayling identity as Erishen is dominant, and has no qualms about using magic to further his aims.

There were several things I didn't like about this book.  Sandy's personality started to grate on my nerves early in the book as he cares nothing for the humans around him or the problems he causes.  He sees nothing wrong with manipulating others with magic to get what he wants.  I mention the other issue that bugged me with regards to the characters in the spoiler section as it deals with things later in the book.

A lot of the action for the first third of the book took place on boats.  While a long sea journey between London and Venice is realistic, nothing important seems to happen and the book starts to drag.  Conversely, in Venice things go slowly for a while and then, suddenly, everything happens quickly, with events that seemed difficult before all happening in quick succession.  In other words, it seemed too convenient that all their plans suddenly worked without problem.  

The ending brought back complications and did a good job of keeping the tension and action high.  The characters face real consequences for their actions earlier in the book (though a few things are swept under the rug - which I mention below as well).  I was impressed by how well the author tied up the loose ends, given the state of affairs at the end of the book.

I found this second volume more problematic and less enjoyable than the first, but it did have some redeeming features and leaves enough questions hanging that I'll definitely finish the series.

Out December 18th

*** Spoilers ***

















Ned's attempts to seduce Mal annoyed me as I like my characters to stay paired and I consider him and Gabriel a couple (as do they but with more a more open relationship than I like).  I'll admit this is a personal preference and may not bother other readers.  Mal's affair later in the book bothered me for similar reasons.  I wanted him and Coby to get together and saw this as a betrayal of her trust.  It also bothered me because in both cases, the seducers were pushing Mal to do something it appeared he didn't want to do.  Given the ending of the book, I'm also annoyed that he and Coby don't discuss what happened and whether Mal will act like that again in the future.

I was a bit annoyed that Mal and Ned were released from jail so easily and without explanation.  It seemed highly unlikely that an inquisitor, who's just heard a confession of murder, would let his quarry go like that, regardless of how much sway Olivia had.  

The book Sandy steals at the beginning of the novel, that seems so important, suddenly vanishes from the plot and is only mentioned again briefly at the end.  I know he learns the critical piece of information he needs from it, but I still expected to see him translate more of it as the story progressed and was surprised that this otherwise important plot point was ignored.  Maybe in returns in book 3?

Wednesday, September 19, 2012

Angry Robot Ebook Sale

If you've had your eye on an Angry Robot titles from their store, today's the day to pick them up.  They're having a sale for Talk Like a Pirate Day.

From their press release (including the terms/conditions at the bottom):

Arrrrrr! Today be International Talk Like a Pirate Day! 

To mark the occasion, for today (September 19th 2012) only, Angry Robot are making you a very special offer, via the Robot Trading Company: 
Buy any two novel-length Angry Robot ebooks and we’ll let you “plunder” one of them, absolutely free!
That’s right: for every two Angry Robot ebooks you add to your shopping basket, you’ll only be asked to pay for one when you check out.
You'll have to be quick though: this ship sails just as soon as we get into the office tomorrow morning and remember to switch the offer off again. And once it's gone, it's gone... 
Terms, Conditions and Articles of Association:

1. The offer does not apply to ebooks on sale at the Robot Trading Company that are not published by Angry Robot.
2. The offer does not apply to Strange Chemistry ebooks, Angry Robot Bundles, Omnibus Editions, Print Editions, Subscription Packages, or Angry Robot Nano Editions.
But everything else is fair game; a prize ripe and ready for the taking! 
Check out the Angry Robot Catalogue page on the Robot Trading Company website and start counting out those dubloons...*
*Pieces of Eight are sadly no longer legal tender and cannot be accepted in lieu of actual money.

Thursday, August 16, 2012

Colin Harvey Memorial Charity Booksale

From their press release:


Angry Robot author Colin Harvey died of a massive stroke on August 16th 2011, aged just 50.
To mark the one year anniversary of his passing, and to continue to bring his work to the wider audience it so richly deserves, we're offering a bundle of Colin’s ebooks - his two Angry Robot novels Damage Time and Winter Song, plus his flash fiction mini-collection for the special price of only £6.00 - via the Robot Trading Company.
All proceeds from the sale of this bundle will be donated by Angry Robot to Colin’s favourite charity, Above and Beyond.

Colin was kind enough to do an interview for me a few years back.  Here are the books in the bundle, which would normally sell for £11.57:
Damage Time

It's 2050 and sea-levels have swamped today's coastal regions. New York City is protected by tidal barriers and the USA is bankrupt.

Detective Pervez (Pete) Shah serves with the NYPD's Web Crimes Division as a Memory Association Specialist. When he's accused of murdering a glamorous woman in a bar, he must find the killer, save himself ... and the world.

Winter Song

When Karl Allman's spaceship crashed, he had only one question:
"HOW DO I GET OUT OF HERE?"


Nano Edition

It's unlikely that many of you will have read more than one of the stories in this mini-collection; two of them appeared in print magazines two or three years ago - this is their first appearance online - while the last story is original.
'Footsteps in the Snow' was a Christmas piece for which the editor wanted something of the flavour of the Season. The illegal immigrant Icelandic elves are amongst my favourite creations.
'Transient' >was - almost inevitably - written for Halloween, while 'A Little Respect' was sparked off by the 70th anniversary of the Second World War.
Lastly, 'Fairytale' was a Valentine's Day piece for which the recipient changed his mind. No matter; I'm delighted that Ella gets her moment in the sun.
These stories are also fairly atypical of my work. These are lighter than most of my stories, written for people who are new to SF and fantasy. Hopefully you'll have as much fun reading them as I had writing them.

Tuesday, July 3, 2012

Genre News

Got some more emails about things you may be interested in.

Phoenix Picks' free ebook for July is Joan Slonczewski's first Elysium Cycle novel, Daughter of Elysium.  According to my husband, she's a great hard SF author (one of the Elysium Cycle novels, Brain Plague, is sitting on a shelf near me waiting to be read).

The coupon code is 9991545 and will be good from July 2 through July 31. Links for downloading the book (as usual) from our online catalogue, http://www.PPickings.com
"The Pristine City of Elysium floats on the water world of Shora, inhabited by 'immortals' who have succeeded in unlocking the secrets of life.
Outsider Blackbear Windclan wants to share the secret of immortality with his own people, but can he, and the City of Elysium survive the corruption and decadence that immortality has bred into the ageless society?
And what of the consciousness of the self-aware nano-sentient servitors and their quest for vengeance?"

Sounds good, doesn't it?

July is Monster Movie Month at MonsterLibrarian.

July 1 will mark the beginning of Monster Movie Month at MonsterLibrarian.com. Monster Movie Month will celebrate the connections between books and movies in the horror genre. The site will offer lists of movies horror fiction lovers might enjoy, reviews, and suggestions for readers advisory and marketing horror in the library.  Our blog, Musings of the Monster Librarian, will cover related topics and offer guest posts, including a contribution from Becky Siegel Spratford, author of The Reader’s Advisory Guide to Horror Fiction.  Come visit to find out what the horror genre has to offer readers and libraries this July at MonsterLibrarian.com!

Visit the Monster Movie Month page at:
http://www.monsterlibrarian.com/monstermoviemonth.htm
and the Musings of the Monster Librarian blog:
http://www.monsterlibrarian.com/TheCirculationDesk/

If you're in the UK, this announcement by Angry Robot Books will be of interest to you:

As part of Independent Booksellers’ Week, award-winning SF & fantasy publisher Angry Robot have announced they are going to start giving away the digital version of each of their novels free with the physical paperback, in selected indie bookstores.

The Angry Robot Clonefiles, as they are whimsically calling them, will first be trialled with Mostly Books of Abingdon, Oxfordshire, starting Wednesday July 4th. Angry Robot will then be rolling out the scheme through other independent bookshops. Customers purchasing an Angry Robot novel will be emailed the digital version of the book in the format of their choice.

The Clonefiles programme was set up by Angry Robot’s UK Sales Manager Roland Briscoe and Mark Thornton of Mostly Books.
Independent bookshops wanting to join the Clonefiles promotion can contact Roland Briscoe at indie@angryrobotbooks.com.
Amazing Stories is doing a relaunch prelaunch issue, with several articles and a story becoming available as the month progresses.

You can find Volume 0, Number 1 here, and their facebook page here.  They'll be announcing the relaunch at  Comic Con in San Diego.

Speaking of which, if you're a US Citizen attending Comic Con and write fan fiction in one of the following settings: Star Wars®, The Inheritance Cycle by Christopher Paolini, Percy Jackson and the Olympians by Rick Riordan, The Hitchhiker’s Guide to the Galaxy by Douglas Adams, Artemis Fowl by Eoin Colfer, then Random House Audio has a contest you might be interested in.

At this year’s Comic-Con International in San Diego, CA, Random House Audio will be recreating an audiobook studio right on the convention floor--inviting authors of fan fiction to record a sample of their work for a chance to have their story recorded and released as a digital audiobook.
Aspiring authors (who must be legal residents of the U.S. and 18 years or older) can sign up for a time slot to record their five-minute sample during the convention, July 12-15 at the San Diego Convention Center. Random House Audio producers will listen to the entries (no mashups, please) and select one to be professionally recorded and mixed by Random House Audio for streaming at www.randomhouseaudio.com. The grand prize winner and five runner-ups will have clips from their stories featured on the Random House Audio weekly podcast.

Sessions will be available Thursday through Saturday, July 12-14, from 10am-12pm and 1pm to 4pm at the Random House Audio booth #1515. Registration for morning slots is open now through July 10 at www.randomhouseaudio.com, and afternoon slots will be available for same-day sign ups beginning at 9am the first day of the con on a first-come, first-served basis.

Don’t see your fandom included on the list above? Sunday, July 15 is Open Mic Day! Fans of other series will get their chance to record their stories as well from 11am to 3pm and enter to win a collection of audiobooks.

Even if you’re not a writer, be sure to stop by the Random House Audio booth (#1515) for exclusive Comic-Con giveaways, including buttons, posters, headphones and mini microphone recorders. 

Monday, June 11, 2012

Genre News

I've had some interesting notifications recently, which I thought I'd pass on.

First up, Angry Robot Books has opened their online bookstore, the Robot Trading Company, to other publishers (in ebook format, DRM free).  Currently those other publishers are Anarchy Books and Infinity Plus Books.

What we hope to do long-term is stock ebooks from as many genre fiction (and non-fiction) publishers as we possibly can. And we'll only be stocking genre-interest titles; no mainstream literary stuff, no chick-lit rom-coms, no home-gourmet cook books and definitely no z-list celebrity biogs. In short: we're aiming for an independent genre-only ebook webstore, run by genre fans, for genre fans.
They're asking for help spreading the word by:

1) Visiting www.robottradingcompany.com and browsing our catalogue to see what catches your eye or takes your fancy…
2) Signing up for the Robot Trading Company Mailing List, so we can keep you up-to-date with details of new releases, special offers, competitions and more.
3) Liking the Robot Trading Company on Facebook or following the Robot Trading Company Twitter Feed.
4) Telling your quality-genre-fiction-loving friends about us, too. 

In other news, Kelley Armstrong is releasing her first eSpecial in honour of publishing her final Otherworld book, Thirteen.  The eSpecial, available tomorrow for $1.99, includes two short stories, "Stalked" and "Off-Duty Angel", and an exclusive look at what's to come in Thirteen.  From the press release:

Most honeymoons are all strawberries and champagne, Elena Michaels and Clayton Danvers, two of the most powerful the world, a run-of-the-mill romantic retreat is out of the Stalked, Elena and Clay are the picture of a classic honeymoon when a non-pack werewolf appears on the scene, clearly tracking intention of letting him spoil their vacation, even if that means on his own. Originally part of an anthology of supernatural the perfect action-packed interlude for fans not quite ready to say goodbye to the two characters who started it all.
Off-Duty Angel is an original new story, exclusive to this eSpecial, that features dark witch,
half-demon, and afterlife angel Eve Levine. Desperate for entertainment while her lover, Kristof Nash, is detained in court, Eve stumbles upon a mission of her own—to trail a shaman that might prove useful in Kristof’s court case. Following her target is a breeze at first, but when he inadvertently steers Eve into a secret alternate dimension, she stumbles upon a far more enticing puzzle—one with a much greater danger lurking at the end. Packed with suspense and surprising twists, Off-Duty Angel reveals fascinating insight into a beloved character.
Finally, THE HUNTER AND THE HUNTED will leave readers with just a taste of what’s to come in Thirteen, with an exclusive excerpt from the grand finale. Once again, Kelley Armstrong reminds us all that even thirteen novels in the Otherworld just isn’t enough.

Friday, May 25, 2012

New Author Spotlight: Chris Holm

New Author Spotlight is a series designed to introduce authors with 3 books or less in the different SF/F subgenres. Today's spotlight shines on Chris F. Holm, who has written numerous short stories, but whose debut novel, Dead Harvest was published by Angry Robot Books earlier this year. Here's the cover copy...



Meet Sam Thornton, Collector of Souls.
Sam's job is to collect the souls of the damned, and ensure their souls are dispatched to the appropriate destination.
But when he's dispatched to collect the soul of a young woman he believes to be innocent of the horrific crime that's doomed her to Hell, he says something no Collector has ever said before.
"No."


If you like books about collecting souls, check out these:


 
  • Black Wings by Christina Henry (Ace)
  • On a Pale Horse by Piers Anthony (Del Rey)
  • Soul Trapper by F. J. Lennon (Atria Books)

Friday, February 17, 2012

Author Interview: David Tallerman

Novel: Giant Thief

Lots of short stories, listed here.

Website: davidtallerman.net 

> What is Giant Thief about? 

Giant Thief follows the misadventures of down-at-heel petty thief Easie Damasco, who's narrowly saved from hanging at the story's start only to be press-ganged into the army of the invading warlord Moaradrid - an army poised to do battle with Damasco's own countrymen.  Narrowly surviving the ensuing conflict, Damasco escapes by kidnapping a monosyllabic, homesick giant named Saltlick, who's been similarly forced into Moaradrid's service.  Soon both Damasco and Saltlick are on the run, and Damasco - who wants nothing more than to keep his own skin intact - finds himself drawn into a desperate resistance effort.

> Thieves are popular protagonists right now.  What makes yours different?

Truth be told, I didn't pay much to attention to what anyone else was doing when I was writing Giant Thief.  You can tie yourself in knots worrying about whether your story's too similar to what's popular, or whether you've gone too far the other way and written something there's no market for, but in the end, you can't control any of it.  So I'm ashamed to admit that, although I'm conscious there are some great books out right now with thieving protagonists, I haven't actually read any of them.

Funnily enough, though, the fantastic and much-better-read-than-me Adrian Tchaikovsky happened to sort of answer this very question on his blog, 
Shadows of the Apt.

> You've written a fantasy novel and a large number of short stories in several genres.  What is your favourite genre to work in and do you plan to write books in genres other than fantasy in the future?

I think Fantasy is my favourite, by a slight margin.  I'm starting to get a sense of the scope of it, the range of what can be done, and I'm thrilled by those possibilities.  Horror seems to come most naturally, which perhaps is a little worrying.  I wish I could be a great Science-fiction writer, I think a lot of my best short fiction is Sci-fi, but in the end I just don't know enough science to really go there.

But yes, I definitely hope to write novels in other genres.  The one I wrote between Giant Thief and its first sequel, Crown Thief, is mostly Horror with a little Science-fiction and a hefty dose of Crime thrown in.  The project I was planning when the Giant Thief deal came through is probably best described as Sci-Fantasy.

> Beyond the matter of length, do you find it easier writing short stories or novels?

A year ago, I'd have said short stories without hesitation.  Now, I think I'm definitely drifting towards novels.  More than either though, I've really gravitated to screenplays over the last year.  Screenplay writing is a lot of fun, especially when you're collaborating with another writer.  That's an interesting process, and something I hope to do more of.

> What made you want to be a writer?

I don't know that there was any one thing.  I suppose a love of books when I was growing up must have played a big part.  Ever since I was little, writing just seemed like a sound career choice.  I remember trying to write and illustrate a Pratchettesque fantasy novel in my early teens, although I think I only managed about four chapters.  When I was growing up I was always torn between writing and drawing, and I don't remember a time when I didn't think I'd end up doing one or the other.

I remember very clearly when I realised I seriously wanted to be a writer though.  I was living in a crummy bedside, doing a crummy, low paid job, and it finally struck me that I'd been in love with the idea of being a writer rather than the struggle of actually getting on and doing it for far too long.  I had to start making concrete steps towards making writing my life, and through that, my career.

> If you could, would you change places with any of your characters?

No, I don't think so.  I'm pretty horrible to my characters as a rule.  Maybe, just maybe, Doc from the story Dancing in the Winter Rooms.  He ends up in kind of a hopeful place.  Then again, if I'd written on, something profoundly nasty would probably have happened to him.

> What's the first novel (published or unpublished) that you wrote and how long did it take to write it?

Well strictly speaking, my first novel is Giant Thief.  But my first attempt at a novel length project that I actually finished - but that fell short by about five thousand words - was something called Omerta.  It took me six years or so, I think, and it's pretty awful.  There are bits and pieces in it that I like, but writing a Kafkaesque literary novel heavily influenced by the music of Leonard Cohen was probably never going to be a winner.  Looking back, though, the basic plot reads like the basis of a cracking Philip K Dick-style Sci-fi novel.  So who knows, it may be I'll go back to it one of these days.

> When and where do you write? 

Anywhere and everywhere.  Crown Thief has been written over four permanent addresses, any number of hotel rooms and countless trains.  When you have a year to write a book in, you learn pretty quickly to write wherever you can set up a laptop.

> What’s the best/worst thing about writing?

Over the last few months, the worst thing I've been finding is what a low opinion many people have of the profession.  It's amazing how often the first response on hearing I had a book coming out was, "So how much did that cost you then?"  It's like the idea of the mid-level author is vanishing in most people's perception.  You're Dan Brown or you must be self-publishing and there's no inbetween.  

Meanwhile, the best part will always be the writing itself.  The more it becomes a career, the more just sitting down and creating becomes a luxury.  I've been almost exclusively editing and redrafting and planning since last summer, and I love those aspects too, but it'll be nice to get back to the bare bones work of crafting a story out of nothing. 

> What is something you didn’t know about the publishing industry before you had your first book published?

I didn't know that cover artists charge by the character.  Who'd have thought? 

> Do you have any advice for hopeful authors?

For anyone looking to make a career as an author, I'd offer two very contradictory-seeming pieces of advice.  Treat writing like a job, and learn not to think of it as work.

It can take a huge amount of time to write a short story, let alone a really good story, let alone a novel.  Then there's the business of selling your work and self-promotion and networking and editing and getting a website and keeping up a blog and everything else that comes with the territory once you start selling your fiction.  The more seriously you take writing, the more it takes over your life.  And like anything, if you go into it half-heartedly then it's unlikely that any amount of talent will be enough to get you through on its own.  It comes down to the slog of trying to do your best day after day after day and not getting disheartened or compromising.  In that sense, it's best to think of it as a job.  Don't give yourself the luxury of saying "I'll write when I feel like it" or waiting for inspiration to strike.  Whenever you have some remotely free time, use it to write.  Write every day, even if it's only a few words, and build up over time.

On the other hand, it's vital to remember why you're doing it.  After a tough eight hours of mind-numbing day job, it's all too easy to think of an hour in front of the computer as a chore.  But writing should be where you let your subconscious out of the box, where you can let your brain off its leash.  It's not something you do instead of having a life, its where you get to live flat-out.  Think of it as a luxury, and feel a little sorry for your friends who are stuck in front of the telly while you're tucked away doing something you genuinely care about.

> Any tips against writers block?

I'm not sure I believe in writer's block as such.  As other people have pointed out before me, you'd be pretty quick to fire your plumber if they started complaining about "plumber's block", wouldn't you?  But it's true that writing takes a lot of mental endurance, especially when you're working in long stretches, and it's easy to hit a point where something's not flowing and then fixate on that to the detriment of everything else.  

Thing is, it's easy enough to avoid.  If you get really stuck, move on to something else.  If a line or a story or an idea isn't working, let yourself back off from it and concentrate your efforts elsewhere.  If you can't write the start of a story, skip on to a scene you feel more comfortable with and write that instead.  Meanwhile, keep a little bit of your subconscious busy chipping away at that wall you've hit and come back when you're ready.

So I guess the tip is, train yourself out of thinking that writing means starting at the beginning of a story and carrying on linearly to the end.  The brain's an astonishing tool for creating, and for multitasking.  But trap it in a narrow alley and it'll never get past the first obstruction.

> How do you discipline yourself to write?

I remind myself that it's what I want to do more than anything else. 

> How many rejection letters did you get for your first novel or story?

That's actually trickier to answer than you'd think.  According to my records, the first short story I dared send out (which was by no means the first story I wrote) was rejected about eighteen times.  Then, due to a bizarre mishap, two markets accepted it more or less simultaneously.  As for the novel ... I think I clocked up about fifteen rejections on Giant Thief.  I was very, very lucky in that.

Wednesday, January 25, 2012

Genre News

Got some more and varied genre news for you. 

First up, I got an email today about a new social network:

PhutureNews.com, a new futuring portal featuring the news headlines of tomorrow today, was officially launched today by technology pioneer Matthew Mather in collaboration with some of the world's #1 best selling science fiction authors including Hugh Howey, Mainak Dhar, Peter Cawdron and many others including scientists and other futurists. The website is a collaborative, crowd-sourced predictor of the future using headlines that are added daily to the site by users. The project is an integral part of the launch of the new sci-fi series Phuture Dawn.

PhutureNews has proven popular in its pre-release, gathering hundreds of fans that have made predictions of everything from the likelihood of Justin Beiber being elected President of the United States to the date of commercial fusion reactors and contact with extraterrestrial intelligence. Users are free to add their own future headlines to be voted on, and can sign up to a running tally of voting via Twitter or PhutureNews on Facebook. Any story getting more than 100 votes with 80% positive will be added to the official Phuture TimeLines that are built up collaboratively with site visitors.

I've been contacted by several authors, but Terrance Foxxe is the first one who has issued a free coupon for downloading his book that he wants shared.  I don't have time to read this at the moment, but maybe one of you will so...


In The Dreaming by Terrance Foxxe - Dark fantasy. A collection of short stories bridged together by a larger narrative.

Foxxe's unique novel offers a wide variety of stories to suit any tastes. From Native American legend to urban detective, plus vampires, barbarians, presidents, elves, and (walking talking) toys. Science fiction and horror sits alongside magic, hope and love.

The coupon code is: JP54R (and is not case sensitive).
Promotional price: $0.00
Expires: March 1, 2012

E. J. Dabel, author of Pantheons was interviewed by Journal Jabber.  If you like mythology (specifically Greek) then this may be of interest to you.

The plot synopsis is:
On the streets, they call fifteen year old orphan Isaiah Marshall the Indestructible Diamond. Isaiah is the leader of the Redrovers, a group of teenage misfits consisting of his friends Jeremy, Monty, and Pipsqueak, but when they trespass into Kaliber Academy to get even with the arrogant Jason Ollopa, they are in way over their heads.

Principal Webb enrolls them into the High School and Isaiah soon learns about the existence of the gods of the Ancient World. Because the gods have refused to fight the last War for fear of the Mysterious Dark, the Powers-that-Be have stripped them of their spiritual bodies and given them mortal, teenage forms.

Isaiah discovers he's not only a god, but that he's the child of the Greek goddess Metis, the son destined to overthrow his cruel and sadistic father Zeus, the Darkener of the Sky, and become the greatest god in all the Pantheons.

Isaiah is thrown into a world where the democratic Olympians, war-mongering Norse, Gothic Celts, firstborn Egyptians, the enlightened Hindu, the animal-like Aztecs, the martial artist Asians, the intelligent Babylonians, the great spirits of the Native American Indians, and the fierce Finnish will war against one another for the greatest of all prizes: the Dominion.

If you've got a manuscript ready for publication, you'll be happy to hear that Angry Robot Books is having another open door month.  The catch, they're only looking for epic fantasy and YA.  Here's their press release:

ANGRY ROBOT ANNOUNCES YET MORE OPPORTUNITIES FOR DEBUT NOVELISTS

During April last year, Angry Robot Books temporarily suspended its usual submission policy to run its first Open Door Month; accepting unsolicited, un-agented manuscripts from would-be genre fiction authors.

The scheme was a huge success: nearly 1,000 submissions resulted in publishing contracts for three authors - Cassandra Rose Clarke, Lee Collins, and Lee Battersby - and the commissioning of at least six brand new novels for publication for the Angry Robot lists in 2012 and 2013.

Today, Angry Robot are announcing that Open Door will return, with a second phase running from April 16th - April 30th 2012. During this frantic fortnight the floodgates will once more be opened to admit brand new work by hopeful (and, of course, hugely talented) writers from across the globe.

This time around, the rules are slightly different. Angry Robot will only be considering submissions that meet the following genre criteria:

a) Epic Fantasy - ideally with a bit of an edge or the sort of left-field twist the Angry Robot audience has come to expect.

b) YA - any subject welcome, but must be science fiction or fantasy, and intended for a Young Adult audience, for potential publication via Angry Robot's new Strange Chemistry imprint.

More details can be found at http://angryrobotbooks.com/opendoor